Saturday, April 27, 2013
Rue de l'Eglise
Is it easier to draw familiar buildings or something completely new to the eye? Do we always have the whole scope of what we want to draw? I think some buildings catch our eye immediately, while others awake our senses in a more subtile manner. For example, I've seen the adjacent hall to this church many times but it was always second to the church's main façade. That is, until I took a different route and approached the building from another point of view. Then I saw its geometry, the wooden beams of the roof, the deep shadow marking the front door, the little garden (not sketched), the details that delineate what I think it is its own personality. I thought of it like a neighbour you cross paths with on your way to work: you exchange nothing but a polite "good morning" for a year or more, until one day you find each other at a common friend's dinner party, then you start a real conversation and the discovery begins.
Subscribe to:
Posts (Atom)